Looking for medina, metius, media, medic?

Child's hat of black satin in red and black satin embroidered in knot stitch with flowere in shades of pink, blue, green and yellow. Hat in two stafes soft crown with stiff, fringed brim and a snood to which is attached, in back, a flap of the red satin, also embroidered with flowers. Applied to brim, a paeede satin flower. Soiled. Lining of diapered blue silk. — Child's hat, 19th century
China

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medium blue; embroidered overall with primarily salmon-colored flowers and moths/butterflies; black trim embroidered in white and shades of blue with flowers and butterflies; blue lining; inside of cuffs are salmon-colored silk embroidered with similar flowers and insects and trimmed with ribbon — Woman's unofficial informal robe, late 19th-early 20th century
China

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Taoist priest robe of embroidered grass-green satin. On back and shoulders an all-over tendril ground of cuched gold threads. On back conventional Taoist motive, large triple dragon medallions, bats, clouds, and Buddhist emblems in couched gold threads and couched twist in colors. On the front, two sacred pagodas. Borders of black satin with couched gold medallions containing Buddhist symbols in colors, dragons, clouds, Heavenly Jewel, and other symbols in couched twist stitch. Lining of gold-colored damask of cloud pattern. — Taoist robe, Kangxi period, 1662-1722
China

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Panel of heavy red satin brocaded in yellow with zig-zag borders of Arabic characters. Finished with an added border of red satin and lined with dark blue. — Panel, 19th century
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Theatrical short coat of pale coral colored satin embroidered with slender, sinuous dragons in shades of blue, violet, green, pink, yellow, orange, and red. Satin stitch with outlines of couched gold thread. Wide border, collar, and cuffs of polychrome brocade in a design of floral medallions. Note triangular shape of sleeves and drawing of dragons. Lining of thin lavendar silk. This probably a woman's coat, but worn by male actor as is customary in China. — Pink Winged short jacket, Kangxi period, 1661-1722
China

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Actor's short coat of embroidered gold-colored satin. Five four-clawed dragons in couched gold thread. In the field are thin, loosely-drawn clouds in shades of blue, green, pink, red, mauve, and peach color, cone in satin stitch and outlined with couched gold threads; scattered among the waves are loose clouds, coral branches and symbols of the Eight Precious Things. Under the arms are attached shaped, embroidered panels with gold dragons, and at lower front of coat a quare panel of the same. These, and the shoulder area of the sleeve, are bordered with a band of black velvet studded with metallic bosses. Outer border of 'tiger claws' in fragments of colored brocade like that in Buddhist priest robe C.80 (42.8. ) Gold and red brocade sleeves, much worn, banded with black and gold brocade. Lining of painted pink silk. Light padding. See matching skirt, 42.8.127B. Matching skirt Actor's chaps of embroidered gold-colored satin to match coat 42.8.127a. They are made of two shaped side panels attached to a deep waist band of the painted pink silk with which they are lined. One four-clawed dragon in couched gold on each panel. Shaped border with appliqued scrolled pattern of black and gold brocade edged with a narrow band of white braid and bound with red satin. Front and sides banded with tiger claws of brocade, as on coat. A handsome and well-preserved costume. Compare genreal drawing with K'angHsi group. Note The actor wearing these chaps was supposed to represent a man on horseback. — Theatrical Jacket and Skirt for a Warrior, Kangxi period, 1662-1722
China

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Taoist priest robe of medium blue satin wit back and shoulders solidly embroidered with couched gold threads. Conventional designs in gold thread and couched twist in colors. Borders of faded brick satin solidly embroidered in couched gold threads and couched twist in colors. Soiled and worn. Jade buckle in front. Lining of coarse blue cotton. Strips of peacock blue silk added to arm border. — Taoist robe, 19th century
China

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Theatrical robe (for a Taoist immortal) of yellow satin embroidered with large scale design of peaches, bats in medallions, and floral sprays. Collar-band, extending to waist, of embroidered white satin. Cuffs and all-around border of black satin embroidered with running floral pattern. Belt section, stitched at upper edge only, of embroidered black satin, and two narrow hanging panels of the same at each side of front opening. Long, very wide sleeves, chiefly satin and couched stitch. Lining of thin pink silk. Note This robe reputed to have been worn by a Tibetan prince. — Theatrical Robe for a Taoist Immortal, Kangxi period, 1662-1722
China

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Lama robe of embroidered apple green satin used in temple dances? theater? This robe is very similar in design and technique to 42.8.125, with which compare it. Lining of pink satin. Inscription. Cf. robe, fig. 38, p.87, Chinese Textiles, Priest and Simmons. — Theatrical Robe for a Warrior, Kangxi period, 1662-1722
China

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Theatrical robe for a warrior, the heavy gold thread panels, body section, and epaulets representing the chain armor of a warrior. Yoke of rust-red satin embroidered with five-clawed dragons in couched gold thread. Tiger claw borders of colored brocades, wavy jewel, stone and metal bosses on velvet border bands throughout. Sleeves of green satin banded with wavy strips of gold and colored brocades. Skirt composed of five shaped panels. Linig of pink satin. Seal inscription in front. — Theatrical Jacket and Skirt for a Warrior, Kangxi period, 1662-1722
China

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Empress robe of blue satin, attributed to Cixi, embroiderd with lily bulbs in shades of grey, pale blue-green and golden yellow. Happy Augury(?) signs alternate with lily bulbs over all. Wide border of black embroidered with same motifs around bottom, opening and cuffs of robe. — Manchu Woman's Unofficial Informal Court Robe, 1875-1908
China

G218

Taoist priest robe of black satin embroidered in couched gold threads and couched twist in colors. On the back conventional Taoist motives and large medallions with Buddhist symbols. On shoulders, large, trailing sprays of lotus. On the front the Yang and Yin symbol. Borders of Buddhist emblems and lotus, edged with Greek key meander in couched yellow twist. Lining of leaf green satin with scattered leaf and flower design. — Daoist priest’s robe (jiangyi), 1662-1722
China

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Panel, small, of faded red satin made from two pieces, the upper acting as valance. Both embroidered in satin stitch and couched laid work in colored silks, and in both pieces the embroidery is unfinished. Both pieces edged with much worn blue and black brocade surmounted with narrow blue and white braid and gold and blue gimp. Lining and heading of pale yellow China silk, pieced. Probably used on small altar or shrine — Table Frontal, 19th century
China

G218

Taoist priest robe of embroidered tea-leaf green satin. On the back conventional Taoist motives, large medallions with Buddhist symbols, bats, and butterflies; lotus blossoms and good luck symbols in couched gold threads, and couched twist in colors. On the front two sacred pagodas. Borders of black satin with dragons, Buddhist and other symbols, and clouds in couched gold threads and couched twist in colors. Lining of heavy gold tribute silk of good luck symbol design. — Daoist priest’s robe (jiangyi), 1662-1722
China

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Banner--war flag?--of embroidered white satin with elaborately shaped and scrolled lower border. Design of five-clawed dragons in gold; clouds, Heavenly Jewel, etc in colored silks. Companion to 42.8.283. Lining of thin cerise silk. Note these said to have belonged to Tzu Hui. — Manchu Military Banner of the White Banner Regiment, 19th century
China

G103

Sleeveless coat of blue-black satin embroidered in satin, knot, couched, and outline stitch in shades of blue, green, yellow, red, purple, cerise, olive-green. Three 5-clawed dragons in gold. Applied on breast and in middle back a mandarin square with a crane and Buddhist symbols, indicating rank of the wearer's husband. Body of coat has clouds, double-peach, phoenix, and bats. Conventional border, but with stripes barely visible. Rolling waves scattered with blossoms and symbols. Border of yellow and silver brocade. Collar band simulated by couched gold thread. Lining of thin pink silk. Fringed bottom. — Woman's Official Vest with Insignia Square, 19th century
China

G210

Textile, Anna Maria Garthwaite; Weaver: John Sabatier — Textile, 1752
Anna Maria Garthwaite; Weaver: John Sabatier

G281

Robe of a Taoist Priest with Buddhist and Taoist symbols embroidered in gold and colors. — Daoist Priest's Robe (jiang yi), Late 18th century
China

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block of text with 4 seals at top; irregularly-shaped rock below, with holes and crevices — Immortal Rock, 1878
Wang Yin

G218

Altar Frontal of brocaded brick red satin. In the main panel one large five-clawed dragon in gold surrounded by loose clouds in shades of green, blue, and tan. Below, a shallow area of rolling waves among which appear the Eight Precious Things. At the top a short pleated valance bearing five-clawed dragons and longevity characters in the panels formed by the pleats. Linings of blue cotton and thin pink silk. Illegible seal on back. — Altar Frontal, early 18th century
China

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lace and satin quilt — Quilt, 19th century
France

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red satin, blue cotton lining, black trim, green braided trim, embroidered floral design — Child's Hat, late 20th century
Miao

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Hanging, large, of embroidered blue black satin. Central panel contains a long inscription. In the wide border figures of the Eight Immortals, cranes, bats and various symbols in couched gold thread and colors. A birthday hanging presented to a couple on their 80th birthday. Lining of coarse blue cotton. Former Classification: Textiles - Tapestry — Presentation Hanging for an Eightieth Birthday, 1887
China

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Hanging of embroidered imperial yellow satin with an upper valance of brocaded red satin. The central design of the lower portion shows the Yin and Yang symbol emerging from a lotus flower. In the field on either side are large lotus blossoms and trailing branches. The colors include shades of blue, green, coral, mulberry, pink, yellow and tan. Chiefly satin stitch and couching. The brocaded valance carries a row of hanging lanterns with mystic symbol pendants in shades of brown and tan. Around the edge, and separating valance from main field is a band of black satin embroidered with running floral pattern in shades of blue. Lining of yellow cotton. NoteA.P. thinks brocade may be later than early 18th century. — Frontal for a Buddhist altar, late 19th century
Tibet

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Panle of rose red satin with decoration of yellow and white diamond shapes. Finished at each end with irregular yellow stripes and at each side with green borders. — Panel, 19th century
Uzbekistan

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Elbow cushion, covered in fine yellow k'ossu with side panels carrying a design of medallions made up of peaches in groups of three, branches and blossoms. In the surrounding area, trailing branches of peony and fretwork end borders in dark blue. End panels centered with large peony blossoms and leaves. Buttoned slipcover of chatruese green brocade with a swastika fret diaper and an all-over design of flowers and leaves in shades of pink, mauve, and blue. — Elbow Cushion, Qianlong period, 1736-1795
China

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Large hanging of embroiderd red satin. The design represents an aged couple receiving friends and well-wishers on the occasion of their birthday. The figures are done in satin stitch in colors cranes, bats, clouds and various symbols in couched gold threads. Lining of ecru cotton. Inscription on back. This hanging, dated the 4th year of Ch'ien Lung's reign (1739-40) is a valuable key document in the dating of textiles. Former Classification: Textiles - Tapestry — Presentation Hanging for a Birthday, Qianlong period, 1739-1740
China

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Costume, Imperial 12-Symbol Robe — Manchu Emperor's Semiformal Twelve-Symbol Court Robe, 19th century
China

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Outer Coat of black satin with seven applied medallions embroidered in satin stitch with the Twelve Ancient ornaments in shades of blue, lavender, pink, brown, red, green, tan and yellow. All around a border of gold and bright blue brocade in cloud pattern. Coat slit at sides and lined with thin blue silk. Mrs. Harris notes This coat especially made for Yuan Shi Kai, first President of the Chinese Republic, who had ambitions of becoming Emperor. He was prevented only by leaders of the Chinese Republic. — Outer Coat, 20th century
China

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Rectangular base; two separated squares at top — "Dee Handle" candlestick, c. 1930
Albert Reimann; Manufacturer: Chase Brass and Copper Company, Waterbury, Connecticut, founded 1837

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Short jacket (theater?) made up of ivory diamond shaped pieces of satin and brocade, each embroidered with a flower spray or symbol. The colors include blue, green, crimson, rust, pale violet, yellow, pink, white, mauve, peach and mustard color. Embroidery chiefly in satin stitch; some knot and outline stitch. Wide sleeves finished with a band of white satin embroidered with bats, butterflies, flowers, in pastel satin stitch and couched gold. Shaped collar band of colored segments of satin and brocade embroidered with a design of flowers and good luck symbols in colors in satin stitch. Coat slit at sides, open in front, and lined with thin blue silk of swastika pattern. — SHORT COAT, 19th century
China

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Sleevless coat of blue-black satin embroidered in satin, couched and outline stitch. Three 5-clawed dragons in gold. In field loose clouds, bats, and cranes in shades of blue, green, red, pink and olive-green. Conventional border with symbols. Applied on breast and center back a mandarin square with crane and Buddhist symbols in couched and satin stitch in silk and metal threads. The sun indicated by roundel of coral beads. Border of gold brocade, shaped at bottom of front panels. Collar band simulated by couched gold threads. Fringed bottom; lining of faded pink silk. — Woman's Quasi-Official Vest with Insignia Square, 19th century
China

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Coat with solid needlepoint ground of all-over lozenge and swastika design in pale shades of pink, grey, tan, green and peach. In lower area appear dragons and chilin; in the upper area and on sleeves appear elephants, and between are phoenix. The long-life characters in the field, as well as the blankets of the elephants,are embroidered in peacock feathers. Cuffs, collar, and edged are bordered with gold and black brocade. Standing collar of the needlepoint. Lining of soft blue satin damask with large floral pattern. Note Mrs. Harris says this robe is reputed to have been worn by the Empress while bearing a child as all the symbols are thought to bring good luck. — Coat, 19th century
China

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Needlepoint representing the god of Longevity and Eight Immortals. Former Classification: Textiles - Tapestry — Needlepoint representing the god of Longevity and Eight Immortals, 1735-1796
China

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Woman's Elevated Shoes, late XIX c., silk, cotton, embroidery — Pair of Manchu Woman's Elevated Shoes, late 19th century
China

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Pair of Small banners sewn together. Blue satin brocade with four rampant five-clawed dragons in rose and tan. Scattered, loose clouds and the Heavenly Jewel in the same colors. Lining of thin rust-colored silk, fringed end. — Pair of Small Banners (sewn together), early 18th century
China

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Large Hanging of golden tan satin brocade composed of two widths seamed up the middle. All-over design of peonies, lotus, and trailing leaves in shades of blue. green, magenta, pink, mulberry, violet, grey, pink, brown, and yellow with gold. Lining of yellow raw silk. Inscription. Cf. 42.8.137,.138 for same general type of pattern. — Large Hanging, 20th century copy
China

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Hanging, red satin, embroidered — Presentation Banner for a Birthday, 1849
China

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blue satin, twill tape with Chinese characters, yellow tassels, floral and yin/yan embroidered designs, blue cotton lining, black cotton trim — Child's Hat, late 20th century
Miao

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Bed Cover of embroidered black satin. Design of birds and flowers in shades of blue, green, pink, peach. etc. in satin, laid and knot stitch. Good quality Canton work. Tasselled fringe border of black silk twist. Thin white, silk lining. Embroidered silk. — Furniture cover or hanging, late 19th century
China

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Actor's robe, imitating a priest robe, made up of pieces of satin in shades of blue, pink, and pale lavendar, and embroidered with butterflies, flower sprays, and good luck characters in gold and colored silk threads. Cuffs and shaped border of white satin embroidered with similar designs at sides; an inner border of red satin embroidered with bats, good luck characters and Taoist symbols. In center back a shaped medallion containing the appliqued figure of a god surrounded by floral sprays. Satin, stem, laid, and outline stitch. Lining of coarse pink cotton. Inscription in center back (lining). — Theatrical woman's robe, 19th century
China

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Child's garment without sleeves made of yellow satin embroidered in satin stitch with roses, leaves and butterflies. Finished with three added borders and lined with silk. Fastened on shoulder with two buttons and at the side with silk ties. — Child's Garment, 19th century
China

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Gourd-shaped pouch of dark blue satin edged with blue and white braid and embroidered with dragon design in gold and silver threads couched with colored silks. The pouch opens in the middle with a yellow draw cord finished with yellow tassels and adorned with two 'Endless' knots made of yellow cord. Yellow silk braid loop handle attached to top at each side of opening. — Gourd-Shaped Pouch, 19th-20th century
China

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Panel of white satin embroidered witrh rows of flowers alternating pink and purple in color. Finished with a floral border on three sides. The embroidery is the same on both sides. Probably worked by Chinese in North East part of India. Satin. — Panel, 19th century
India

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Buddhist priest robe of embroidered yellow satin with one end gored. Int he many small squares symbolical of Buddha's mendicant days, are embroidered five-clawed dragons in couched gold, and large peony blossoms with leafy tendrils in shades of red, pink, blue, and green. The gored sections contain two peony blossoms with trailing branches. In the borders and larger dragon panels appear the universe motif, with coral, swastikas, and other symbols appearing in the waves. Loosely drawn clouds. In the end sections of the upper border, bats appear. The 'patched' character of the robe is accentuated by bindings of ivory satin which mark off the various squares. Lining of pink silk. Colors are clear, and include shades of blue, green, red, pink, yellow, mauve, and brown. Atached to center of upper border a flap with embroidered canopy to shield wearer from dragon's eyes. This robe close in design to 42.8.134. Cf. dragons, clouds, and wave areas with other K'ang Hsi robes. — Buddhist Priest's Robe (kashaya), Kangxi period (1662–1722)
China

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Strip of embroidery - probably part of a skirt of dark red satin thickly embroidered with lozenge shaped designs in black and white. — Strip of embroidery, 19th century
India

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Rare temple hanging of leaf green brocade. All-over pattern composed of various square, octagon, and trefoil bordered medallions, each beating floral sprays or stylized blossoms. The medallions all carry floral or diapered borders, producing an effect of great richness and intricacy. The color is chiefly green, with shades of red, blue, yellow and pink contributing a lightness to the scheme. Border of gold and blue brocade of interlocking 'Y' design. The piece is made up of two widths sewed together, and is limed with a fine eggshell silk with wild goose medallions in openwork. Medallions also carry two characters of rather archaic flavor. — Temple Hanging, 1368-1644
China

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Coat of embroidered staw-colored satin. Design of floral sprays and large canopied lantern with long life character. Double sleeve bands of embroidered yellow and embroidered white satin. Collar band and border on bottom and sides of black satin embroidered with flowers. Colors pink, mauve, blue, green, red and orange. Chiefly satin and outline stitch.Wide sleeves. Lining of yellow satin. — Chinese Woman's Unofficial Informal Robe, 20th century
China

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Throne seat cushion of dark blue satin brocade. Square center panel with diapered background and large floral medallion in center. Diapers encased with single tight clouds, and each contains a stylized flower or symbol. Wider border of peonies, chrysanthemums and trailing leaves.(Cf.42.8.140). Colors pinks, blues, greens, tan, yellow, mulberry. Outer narrow border of floral sprays is boxed to fit over throne cushion. Lining of Imperial yellow satin. — Throne Seat Cushion, early 18th century
China

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Pair of lavender satin bands embroidered with a panel composed of flowers and butterflies worked in colored silks, mostly salmon pink and green. Satin. — Pair of Sleeve Bands, 19th century
China

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Cushion cover of yellow satin embroidered with blue fret pattern and flowering vine. Finished with a blue fret border. Very fine work. Satin. — Cushion Cover, 19th century
China

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Large Hanging of brick-colored satin embroidered with five-clawed dragons and Buddhist smbols in gold; clouds, bats, and Eternal Sea in satin stitch in colors. At each end a large fish rising from the waves sends out a spray of some substance from which emerges a small temple. Hanging made up of gored strips. Lining of yellow cotton. — Table cover, late 19th century
China

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yellow ground; central dragon design surrounded by eight others facing inward; embroidered with floral design between dragons; mirror image from side to side — Cushion Cover, early 19th century
China

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Skirt made up of gored sides of colored silks of cloud pattern, each bordered with a strip of peacock blue satin and having a band of white, flowered braid terminating in fungus form on lower third of skirt. Main panels of red silk with cloud pattern, and an applique design of a sage and symbols embroidered in couched gold threads and satin stitch in colors. Main panels have elaborate shaped borders of blue satin, white satin embroidered with flowers, and symbols in colored silks; narrow, striped satin ribbon, and white silk braid with pattern of stylized flowers in colors. The same four borders trim the bottom of the skirt; lining of badly faded red-rose silk. — Woman's Skirt, 19th century
China

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Coat of medium blue brocaded silk with embroidered swastika fret diaper in lavendar silk. Throughout ground medallions of long-life character in couched gold thread. Wide sleeves with a band of black silk with lavendar wastika fret diapr and long life medallions i gold. Inner borde rof pale green satin floral brocade. Collar and border of same, with band of green and gold swastika fret borcade setting collarband off from inner border of pale green brocade. Coat slit at sides and lined with thin lavendar silk. — WOMAN'S ROBE, 19th century
China

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Pair of white satin bands embroidered with panels enclosed in narrow borders and worked with butterflies and floral sprays. Satin. — Pair of Sleeve Bands, 19th century
China

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Black satin cover embroidered with flowers and butterflies in shades of blue. Finished with a narrow embroidered border of blue flowers and lined with blue cotton. — Embroidered Cover, 19th century
China

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Robe of lavendar k'ossu with scattered design of phoenix, canaries, butterflies and flower blossoms in shades of green, peach, yellow, pink, rose, etc. Cuffs and border of black satin embroidered with a design of butterflies and flower sprays in satin, laid, and outline stitch; green, yellow, purple, blue, pink, etc. Inner border of pale blue satin embroidered with flower sprays and edged with trefoil band in band in black. Lining of lemon yellow silk. — Court Robe, 19th century
China

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Robe of violet satin brocaded in gold with widely spaced double-peach and pomegranate. Wide sleeves banded with light blue satin with braid applique above a beaded swag. Collar band of same. These bands, Victorian in flavor, much later than the brocade of the robe proper. Robe slit at sides and lined with thin blue silk. Note pocket on under side of front. — Robe, 19th century
China

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Table Cover, early 18th century

China

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Skirt of ivory white figured silk, the side sections of tacked-down accordion pleats embroidered in the lower sections with tall sprays of flowers in cerise, purple, blue, and green. Main panels embroidered in satin stitch with a landscape design of birds, bats, flowers, mountains, and trees, in shades of blue, green, pink, cerise, yellow lanendar and orange. Main panels and bottom bordered with a wide band of black satin with pipings of light blue and grey silk. Bottom has a second inner border of white satin ribbon of floral design with blue borders. Main panels lined with thin, cerise silk. — WOMAN'S SKIRT, 19th century
China

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Mandarin Square of blue k'ossu with white crane design. Swastika fret diaper in gold, clouds, peonies, Buddhist symbols, sun, eternal sea. Border of swastika meander in gold. Unlined. — Mandarin Square, 19th century
China

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dense landscape containing trees and an empty hut in the foreground; scholar seated in a multilevel pavillion built into the side of a mountain at middle and a towering twisted mountain peak with waterfall emerging from the left in the distance — Autumn Thoughts on a Garden Landscape, 1844
Nukina Kaioku

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Strip of dark purple satin material with small pattern in light purple made with tie and die batik, over which crosses embroidered in matting stitch alternate with tiny mirrors enclosed in buttonhole stitch. Part of a larger piece, possibly a pulchari. At one side a short strip of mirror and chain stitch border has been restored. Satin, embroidered. — Panel, 19th century
India

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Altar frontal of pale brick-colored k'ossu. In the center of the lower section a large, seated four-clawed dragon in dull gold with a longevity character in the curve of its tail. Loose, fat clouds and bats in shades of green, blue, yellow and tan. Below, the waves of the Eternal Sea with Taoist symbols. Above, in the valance section set off from main field by a band of dark blue and gold brocade, are three pale brick-colored medallions on an apple green k'ossu ground. In the end medallions two slender dragons of K'ang Hsi type; in central medallion the two dragons are spearated by a longevity symbol. Surrounding the medallions, bats and fat clouds in shades of blue, brown, yellow, and tan. All-around applied border of two-fold dark blue and gold brocade. Lining of steel gray satin damask. Note dragon's face and tail have been restored by applying sections of finer, later k'ossu. A.P. says Faded and poor quality, but still I think K'ang Hsi. — Altar Frontal, Kangxi period, 1662-1722
China

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Throne cover of imperial yellow brocaded silk. Diaper ground six-petalled medallions and elongated hexagons in gold and blue, each containing a floral spray of a precious symbol. Central medallion edged with running border of loose clouds contains a five-clawed dragon in gold on plain ground. Colors include shades of blue, green, pink, mauve and rust-red. Lining of yellow damask with cloud design. — Throne Cover, early 18th century
China

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parsee shirt, lavender satin embroidered in all-over design of flowers and birds in pale lavender and old rose silk. The deign becomes concentrated into a border around the slit neck, bottom and arm holes which are all bound with cerise satin. — Parsee Shirt, 19th century
India

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five total lines: three full lines of calligraphy, fourth shorter line with signature; fifth longer line; red intaglio stamp URC; red relief stamp LLC — Snow Swirling in the Winter Wind, 1855
Miyahara Ekian (Senso)

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black shiny synthetic satin; long vertical embroidered patterns in front--patterns said to be "Tree of Life"; red and multicolor; plain black strip in back; embroidery along hem — Skirt, c. 1940
Sukhne

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in 2 sections; black with embroidered peacock motif; pink, lavender, orange, green pleated sections — Woman's Informal Skirt, c. 1910
China

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"fleur-de-lis" style applique in center red diamond set over printed blue/black plaid diamond with some applique on satin triangle corners; border is geometric swastika applique; all designs edged in machine made patterned tape; lined — Baby Quilt, Date Unknown
Miao

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Burse; embroidered red silk. Lined and backed with green satin. Opens at bottom to receive corporal. See Costume file, South American XIX C. 30.19.1-3. — Burse, 19th century
Colombia

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white satin panel with an printed photograph of a toy cowboy, with a gapping mouth, and two pistols raised in each hand — Footnote on Portraiture, 1970
Barbara Rossi

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white satin panel with a printed abstract image that resembles a grotesque face in pale peach and green pigments; long, wavy PR arm, with tear drop shapes in CR — Male of Sorrows #4, 1971
Barbara Rossi

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white satin panel with a printed abstract image that resembles a grotesque face in pale peach and green pigments; long, wavy PR arm, with tear drop shapes in CR — Footnote of Portraiture, 1970
Barbara Rossi

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dark gray satin panel, with abstracted image forming a grotesque portrait; foot where PL side of face should be; figure wears a jacket with collar and tie; descending staircase in TC of image — Sovereign, 1969
Barbara Rossi

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black and white landscape; various ragged, cone-shaped mountains dominate the scene; small pagoda with out building and two trees in middle ground; trees top rock formations in foreground near bottom; inscription URC — Landscape after Mi Fu, October 1914
Fukuda Kodōjin

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irregular, rounded mountains; small pavilion at center; small waterfall at R; two groups of huts in middle ground at base of mountains; two figures fishing in boat at LR; figure crossing a bridge LRC; figure raking small piece of land near hut LLC — Quiet Mountain on a Slow Day, October 1914
Fukuda Kodōjin

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Bamboo, Dai Mingyue — Bamboo, c. 1650
Dai Mingyue

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close-up view of a lotus flower and leaves; brushed in the boneless ink-wash style — Lotus in Bloom, 19th century
Taki Katei

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Temple banner of deep red satin embroidered in silk and gold thread with men carrying banners and on horseback. In the lower panel and in the upper panel herons and flowers. Finished with a narrow border of closely embroidered blue flowers and at the bottom with colored silk fringe. Lined with cotton. — Temple Banner, 19th century
China

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Temple banner. Ivory satin ground embroidered in colored silks with groups of birds and animals against a background of flowering shrubs. Finished with an embroidered border of blue flowers and lined with pink cotton. — Temple Banner, 19th century
China

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Skirt of red k'ossu weave, the side sections gored, bound with black satin, and decorated in the lower area with phoenix, cloud, and Eternal Sea motif in shades of blue, green, yellow, apricot, mauve, and pink. Main panels have a seated five-clawed dragon in gold thread; bats, clouds, Buddhist symbols, and Eternal Sea in the same colors used in side sections. Main panels and bottom bordered with a band of black satin embroidered with Buddhist symbols in shades of blue and edged iwth band of medium blue satin. Lining of faded pink diapered silk. — Skirt, 19th century
China

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Fan case, dark blue satin emb. with dragon design in gold and silver threads couched with colored silks. Narrow blue and white braid binding. Yellow cord loop handle. Rose-red satin lining. — Fan Case, 19th-20th century
China

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curtain hanging of imperial yellow brocaded satin. design of seven gold-cloud medallions, each with a five-clawed dragon grasping the heavenly jewel, in a field of large, loose clouds in shades of blue, green, pink, red, peach, and dull orange. Hanging made up of three widths seamed lengthwise. at lower right corner an applied strip of sriped grosgrain ribbon. lining of orange silk in all-over leaf and flower design. — Curtain, 1662-1722
China

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Skirt made up of colored silks of cloud pattern yellow, dark blue, apricot, white, red, light blue, grey, etc.; accordion-pleated in sigle sections. Main panels of brick red color with applique design of sage with flowers embroidered in couched gold threads and colored silks. Triple, shaped border of black satin embroidered in blue; white silk and pale blue silk braid with floral design in colors. Same triple border at bottom of skirt. Panels lined with green silk of diaper pattern. — Skirt, 19th century
China

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Panel of red satin embroidered with large conventionalized flower motifs in rows of three and worked with colored silks, mostly white, green and blue. Finished with an added border. — Panel, 19th century
Turkey

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Child's coat of greenish-brown silk of brocaded design embroidered in satin stitch with an all-over design of loose, thin clouds and cranes in shades of blue, green, and white. Cuffs, bottom,a nd opening banded with black satin embroidered with peony design in blues. A band of the same is applied around body of coat at waistline. Short collar band of black satin embroidered with floral design in blue and gold. Two ties of the greenish silk attached to coat at waist. Lining of faded orange gauze. — Chinese Child's Unofficial Informal Robe, 19th century
China

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five Sections of a patchwork quilt; five stitched, backed, but unassembled pieces for a quilt incorporating velvet, silk, satin with silk embroidery — Five sections of a patchwork quilt, 19th century
Margaret Kirklie Larkin

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Curtain Hangings, pair of faded lacquer-red k'ossu. Design of two five-clawed dragons in gold in a field of large, loose clouds in shades of blue, green, yellow, brown, peach, pink, and dull gold. Note use of peacock feathers for details in dragons and Heavenly Jewel. At bottom, the Eternal Sea, with wide wavy stripes and deeply rolling waves among which appear cloud heads and symbols of the Eight Precious things. Across the top, a twelve-inch valance on which appear three gold medallions containing five-clawed dragons in blue. Clouds in the surrounding field. Lining and hanging band of faded pink satin of floral medallion design. — Pair of imperial curtain hangings, mid 18th century
China

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Imperial top coat of midnight blue twilled silk embroidered with eight large medallions in which five-clawed dragons in gold couched work and satin stitch, surrounded by long life characters, bats with the double peach, and tight cloud forms against a meander fretwork in gold. At bottom of medallion, in area representing the sea and earth, a swastika, loop and stem stitch used. Wide border of slanting straight stripes topped with cloud forms and curling waves. All in shades of blue and white, in which appear swastikas and Taoist emblems ing old and silver threads. Wide cuffs with bands of embroidery repeating body designs. Coat open down a straight front, slit up back, and lined with thin yellow silk. — Imperial Top Coat, 19th century
China

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Hanging of deep yellow satin brocade with large interlocking medallions in ground. Five five-clawed dragons in gold, the central one in a medallion. Details in lacquer red. Wide border of blue and gold Greek key diaper brocade. Lining of tan cotton. At top and bottom two rigid rods have been inserted in order to weight hanging. — Hanging, 19th century
China

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satin ground damask embroidered with seasonal flowers with attached polyester waistband — Woman's Festive Wrap Around Skirt, late 20th century
Miao

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Altar Frontal of rust-red brocade. Five four-clawed dragons, one large one in center, in gold. Field of loose clouds and bats gripping symbols in shades of blue, green, pink and peach. Below, the Eternal Sea with branches of Coral in the curling waves. Border of the satin brocaded with running design of flowers, bats and symbols. Across the top a loose strip of green satin brocade with a design of bats, clouds, sacred vessels, plum blossoms, narcissus, and Taoist symbols. Border of the green satin with design of running flowers and synbols. Linings of thin yellow damask and orange silk. Compare Eternal Sea area with that on K'ang-Hsi robes. For a similar altar frontal see London Ill. News, November 30,1935, p.988 — Altar Frontal, 18th century
China

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Temple banner of black satin embroidered in gold and silk threads with two phoenixes facing a gold disk. Finished with a narrow floral border, and at the bottom with green silk fringe. Lined with blue cotton. — Temple banner, 19th century
China

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Throne-back Cover, early 18th century

China

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Temple banner of black satin embroidered with butterflies and sprays of flowers in colored silks. Finished with two borders. The narrow inner strip of embroidered satin and the outer strip of brocade. Lined with cotton. — Temple Banner, 19th century
China

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satin ground with auspicious birds and flowers in silk embroidery, attached cotton band (fringe applique) — Valance for a Wedding Bed, 20th century
Miao

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Chair-cover of brick red velvet with a design of large floral medallions and sprays, bats and double peach in soft leaf-green. Border has running design of lotus blossoms and leaves in brick-red on a green ground. Lining of rose-rust satin. Silk. — Chair cover, 19th century
China

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3 full and one partial line of calligraphy, with 4 seals — Calligraphy in Running Grass Script, c. 1550
Fang Yüan-huan

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